This is one of the 100 most iconic photos in human history, according to Time magazine. Somewhere in the endless Sea of Tranquility, Buzz Aldrin stands in a shallow lunar hollow. It’s impossible to imagine the thoughts and emotions that were tearing the astronaut at that moment. Unfortunately, we will not be able to find out for ourselves personally, perhaps ever.
Aldrin never cared for being the second man on the moon—to come so far and miss the epochal first-man designation Neil Armstrong earned by a mere matter of inches and minutes. But Aldrin earned a different kind of immortality. Since it was Armstrong who was carrying the crew’s Hasselblad, he took all of the pictures—meaning the only moon man earthlings would see clearly would be the one who took the second steps. That this image endured the way it has was not likely. It has none of the action of the shots of Aldrin climbing down the ladder of the lunar module, none of the patriotic resonance of his saluting the American flag. He’s just standing in place, a small, fragile man on a distant world—a world that would be happy to kill him if he removed so much as a single article of his exceedingly complex clothing.
Neil Armstrong, who took the photograph, can be seen reflected in Aldrin’s helmet visor. Armstrong was the first human to ever stand on the lunar surface. As he stepped off the LM, Armstrong proclaimed, “That’s one small step for man, one giant leap for mankind”. He was followed by Edwin (Buzz) Aldrin, describing the lunar surface as magnificent desolation.
Remastered version of the old iconic NASA masterpieces
The presented photograph was built on the raw data from the NASA mission. Using the latest technology based on Artificial Intelligence (neural networks and machine learning), I was able to remove the very large grain of the original images and reconstruct many details that were necessary to obtain high-quality large format Fine-Art prints (printed on Epson UltraChrome HDX using 11 colors and 2880 dpi). In addition, a new color was created to give a sense of how pictures were taken today.
Art-gallery quality without compromise
This fine art is printed at my home print studio in the highest possible quality with an expanded color gamut (Epson UltraChrome HDX 11 base colors) on a specially preselected paper. I only use print media recommended by world-class photographers, mainly Epson Signature Worth series (Fine-Art Photography: Exhibition Fiber; Poster: Premium Luster Photo Paper), which provide a very inspiring experience both aesthetic and tactile. The entire printing and production process is carried out by me personally. This guarantees the quality of presentation unattainable for other printing methods. This is the level found in the most prestigious photographic art galleries in the world. You will be delighted – I promise.
The rich blacks combined with the incredible color fidelity reinforces the aesthetics of the dark and deep cosmos in my photographs. Additionally, the Signature Worth and Legacy paper surface allows viewers to experience every detail in the prints.
A masterpiece that will last for many generations
The most advanced printing technology (created in Japan by Epson) which I decided to use, combined with special, highest quality archival papers, provide for the remarkable durability of these printed photographs. These Fine Art prints will survive many generations on your wall. According to the prestigious Wilhelm Imaging Research organization, the longevity of such prints reaches even several hundred years (Poster variant up to 175 years when it’s kept behind the UV glass). In order to reflect my commitment and personal relationship with photography, each copy of Fine-Art Photography is personally signed by me, which complements the unique character.
The Fine Art print is delivered in a secure container in the form of a tube. All photopaper prints will be rolled in acid free tissue, shipped in heavy duty cardboard document tubes. This guarantees its safety and preserves the quality of prints during transport to your home.